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Occasionally this is done with a stunningly beautiful woman, which is to say to the enemy, "even the most beautiful of your women is not worthy of a collar in a city such as ours". The effect on the woman, of course, is often pathetically unsettling. It is not unusual that such a woman will afterwards take to wandering the high bridges and lonely streets, the hem of her garments hitched above her ankles, perhaps that she not soil them, her veils disarranged a bit, perhaps by the wind. She then, so to speak, courts the collar, eager to reassure herself of her beauty, her desirability, her fittingness to be owned; she wants to prove to herself now that she does have some value, after all, as she had hitherto thought; had she been mistaken; had her arrogant surmise been no more than a little she-tarsk's vanity; too, now, after her experience, her abduction, her subjection to male domination, and such, she has some inkling of what it might be to be a slave; and she longs now, on some level, to belong to a man; she wants now, though she may not be fully aware of this, that she wants, and needs, a master; she wants now to be helplessly owned, and to serve and love. There are, of course, many differences among slaves, ranging from the preferred slave of a ubar, often a witty, literate, talented, highly educated, brilliant woman, though she, too, is at his feet, to the simplest kettle-and-mat wench, who, too, of course, is expected to be a throbbing, kicking, helpless delight in the furs, or blankets. It might be noted, in passing, that when a woman has been embonded she is then understood as, and taken as, unmitigatedly, a slave. That is what she then is. - (Witness of Gor, Chapter )