Book 11. (1 results) Slave Girl of Gor (Individual Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 3 | 534 | One story is that an ancient Ubar of Ar, capturing the daughter of a fleeing, defeated enemy in a field of dinas there enslaved her, stripping her by the sword, ravishing her and putting chains upon her. |
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Book 11. (7 results) Slave Girl of Gor (Context Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 3 | 531 | That in the north the lovely dina was spoken of as the "slave flower" did not escape the notice of the expatriated Turians; in time, in spite of the fact that "Dina" is a lovely name, and the dina a delicate, beautiful flower, it would no longer be used in the southern hemisphere, no more than in the northern, as a name for free women; those free women who bore the name commonly had it changed by law, removed from the lists of their cities and replaced by something less degrading and more suitable. |
| 3 | 532 | "Dina," in the north, for many years, had been used almost entirely as a slave name. |
| 3 | 533 | The reason, in the north, that the dina is called the slave flower has been lost in antiquity. |
| 3 | 534 | One story is that an ancient Ubar of Ar, capturing the daughter of a fleeing, defeated enemy in a field of dinas there enslaved her, stripping her by the sword, ravishing her and putting chains upon her. |
| 3 | 535 | As he chained her collar to his stirrup, he is said to have looked about the field, and then named her "Dina". |
| 3 | 536 | But perhaps the dina is spoken of as the slave flower merely because, in the north, it is, though delicate and beautiful, a reasonably common, unimportant flower; it is also easily plucked, being defenseless, and can be easily crushed, overwhelmed and, if one wishes, discarded. |
| 3 | 537 | The brand Eta wore was not the "dina"; it was, as I would later learn, the initial letter in cursive script of the Gorean expression 'Kajira'; it, too, however, was, in its delicacy and floral nature, an incredibly beautiful and feminine brand; I recalled that I had thought that the brand I had heated might be too feminine to mark a man's properties, such as a saddle or shield, but that it would be perfect to mark something feminine in nature; now I realized that it marked me; both the brand that I wore and that which Eta wore were incredibly feminine; our femininity, whether we wished it or not, had been deeply, and incontrovertibly, stamped upon us. |
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That in the north the lovely dina was spoken of as the "slave flower" did not escape the notice of the expatriated Turians; in time, in spite of the fact that "Dina" is a lovely name, and the dina a delicate, beautiful flower, it would no longer be used in the southern hemisphere, no more than in the northern, as a name for free women; those free women who bore the name commonly had it changed by law, removed from the lists of their cities and replaced by something less degrading and more suitable.
"Dina," in the north, for many years, had been used almost entirely as a slave name.
The reason, in the north, that the dina is called the slave flower has been lost in antiquity.
One story is that an ancient Ubar of Ar, capturing the daughter of a fleeing, defeated enemy in a field of dinas there enslaved her, stripping her by the sword, ravishing her and putting chains upon her.
As he chained her collar to his stirrup, he is said to have looked about the field, and then named her "Dina".
But perhaps the dina is spoken of as the slave flower merely because, in the north, it is, though delicate and beautiful, a reasonably common, unimportant flower; it is also easily plucked, being defenseless, and can be easily crushed, overwhelmed and, if one wishes, discarded.
The brand Eta wore was not the "dina"; it was, as I would later learn, the initial letter in cursive script of the Gorean expression 'Kajira'; it, too, however, was, in its delicacy and floral nature, an incredibly beautiful and feminine brand; I recalled that I had thought that the brand I had heated might be too feminine to mark a man's properties, such as a saddle or shield, but that it would be perfect to mark something feminine in nature; now I realized that it marked me; both the brand that I wore and that which Eta wore were incredibly feminine; our femininity, whether we wished it or not, had been deeply, and incontrovertibly, stamped upon us.
- (Slave Girl of Gor, Chapter 3)