Book 11. (1 results) Slave Girl of Gor (Individual Quote)
Chapter #
Sentence #
Quote
2
961
A girl, incidentally, in the position of the Gorean pleasure slave, but who is not being kept in the position as a discipline, in which case she remains rigid, is allowed much subtle latitude, which she exploits, without breaking the position.
A girl, incidentally, in the position of the Gorean pleasure slave, but who is not being kept in the position as a discipline, in which case she remains rigid, is allowed much subtle latitude, which she exploits, without breaking the position.
- (Slave Girl of Gor, Chapter 2, Sentence #961)
Book 11. (7 results) Slave Girl of Gor (Context Quote)
Chapter #
Sentence #
Quote
2
958
He laughed.
2
959
I blushed, and lay back, angry, on the grass.
2
960
The body, kept overlong in any position, of course, even the most natural, becomes stiff and cramped.
2
961
A girl, incidentally, in the position of the Gorean pleasure slave, but who is not being kept in the position as a discipline, in which case she remains rigid, is allowed much subtle latitude, which she exploits, without breaking the position.
2
962
Sometimes, as she becomes animated, she rises a bit from her heels, sometimes her hands move on her thighs, her shoulders and belly move, her head moves, her eyes are live and vital, she speaks and laughs, and, radiantly, every inch, every bit, of her alive, converses lyrically and delightedly.
2
963
Any girl knows that an interesting body is a moving body.
2
964
Even within the apparent restraint of the position of the pleasure slave a girl's body can be a subtle, provocative melody of motion.
He laughed.
I blushed, and lay back, angry, on the grass.
The body, kept overlong in any position, of course, even the most natural, becomes stiff and cramped.
A girl, incidentally, in the position of the Gorean pleasure slave, but who is not being kept in the position as a discipline, in which case she remains rigid, is allowed much subtle latitude, which she exploits, without breaking the position.
Sometimes, as she becomes animated, she rises a bit from her heels, sometimes her hands move on her thighs, her shoulders and belly move, her head moves, her eyes are live and vital, she speaks and laughs, and, radiantly, every inch, every bit, of her alive, converses lyrically and delightedly.
Any girl knows that an interesting body is a moving body.
Even within the apparent restraint of the position of the pleasure slave a girl's body can be a subtle, provocative melody of motion.
- (Slave Girl of Gor, Chapter 2)