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He has his role to play in the social structure, celebrating battles and histories, singing of heroes and cities, but also he is expected to sing of living, and of love and joy, not merely of arms and glory; and, too, it is his function to remind the Goreans from time to time of loneliness and death, lest they should forget that they are men. - (Outlaw of Gor, Chapter 12, Sentence #76)

It could have been worse, I thought. After all, though the Caste of Singers, or Poets, was not a high caste, it had more prestige than, for example, the Caste of Pot-Makers or Saddle-Makers, with which it was sometimes compared. On Gor, the singer, or poet, is regarded as a craftsman who makes strong sayings, much like a pot-maker makes a good pot or a saddle-maker makes a worthy saddle. He has his role to play in the social structure, celebrating battles and histories, singing of heroes and cities, but also he is expected to sing of living, and of love and joy, not merely of arms and glory; and, too, it is his function to remind the Goreans from time to time of loneliness and death, lest they should forget that they are men. The singer was thought to have an unusual skill, but so, too, were the tarn-keeper and the woodsman. Poets on Gor, as in my native world, were regarded with some skepticism and thought to be a little foolish, but it had not occurred to anyone that they might suffer from divine madness or be the periodic recipients of the inspiration of the gods. The Priest-Kings of Gor, who served as the divinities of this rude planet, inspired little but awe, and occasionally fear. - (Outlaw of Gor, Chapter 12)