Book 7. (1 results) Captive of Gor (Individual Quote)
Chapter #
Sentence #
Quote
11
1245
We had had trained into our bodies mysteries of movements of which even we, for the most part, were no longer aware, subtle signals of appetite, of passion and of obedience to a masculine touch, movements which excited the fierce jealousy, the hatred, of freewomen, particularly ignorant freewomen, who feared, and perhaps rightly, that their men might leave them for the purchase or capture of such a prize.
We had had trained into our bodies mysteries of movements of which even we, for the most part, were no longer aware, subtle signals of appetite, of passion and of obedience to a masculine touch, movements which excited the fierce jealousy, the hatred, of free women, particularly ignorant free women, who feared, and perhaps rightly, that their men might leave them for the purchase or capture of such a prize.
- (Captive of Gor, Chapter 11, Sentence #1245)
Book 7. (7 results) Captive of Gor (Context Quote)
Chapter #
Sentence #
Quote
11
1242
She did not even know who it was that removed it from her pan.
11
1243
Our training in the pens of Ko-ro-ba now began to move toward its conclusion.
11
1244
Our bodies, superbly trained, even those of Inge and Ute, now became unmistakably those of slave girls.
11
1245
We had had trained into our bodies mysteries of movements of which even we, for the most part, were no longer aware, subtle signals of appetite, of passion and of obedience to a masculine touch, movements which excited the fierce jealousy, the hatred, of freewomen, particularly ignorant freewomen, who feared, and perhaps rightly, that their men might leave them for the purchase or capture of such a prize.
11
1246
Most slave girls, incidentally, fear freewomen greatly.
11
1247
Some of these movements are, in standing, as obvious as the turning of a hip; in reclining, as obvious as the partial extension of a leg, the pointing of toes.
11
1248
But many are more subtle, tiny, almost indiscernible movements, which yet, in their total effect, brand a female body as being incredibly sensuous, things like a way of glancing, a way of holding the head, subtle things like the almost invisible, sudden flexion of the diaphragm, the tiny fear movement of the shoulders, which signals that the girl, as she is, is helpless quarry.
She did not even know who it was that removed it from her pan.
Our training in the pens of Ko-ro-ba now began to move toward its conclusion.
Our bodies, superbly trained, even those of Inge and Ute, now became unmistakably those of slave girls.
We had had trained into our bodies mysteries of movements of which even we, for the most part, were no longer aware, subtle signals of appetite, of passion and of obedience to a masculine touch, movements which excited the fierce jealousy, the hatred, of free women, particularly ignorant free women, who feared, and perhaps rightly, that their men might leave them for the purchase or capture of such a prize.
Most slave girls, incidentally, fear free women greatly.
Some of these movements are, in standing, as obvious as the turning of a hip; in reclining, as obvious as the partial extension of a leg, the pointing of toes.
But many are more subtle, tiny, almost indiscernible movements, which yet, in their total effect, brand a female body as being incredibly sensuous, things like a way of glancing, a way of holding the head, subtle things like the almost invisible, sudden flexion of the diaphragm, the tiny fear movement of the shoulders, which signals that the girl, as she is, is helpless quarry.
- (Captive of Gor, Chapter 11)