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I did realize, of course, from the house, that slave tunics came in a variety of cuts and colors, in samples of which I had been forced to pose before mirrors, but each was commonly of one color. They were, after all, slave tunics. The house tunics, incidentally, those worn in the house, were commonly drab, usually being brown or gray. There are fashions in such things, of course, for both the free and the slaves, with respect to colors, textures, materials, cuts, hemlines, and so on. How and when fashions changed, and why they changed, was not clear. Doubtless there were setters of trends, say, highly placed officials, wealthy Merchants, Actors, Singers, and Poets, certain women of noble family and high caste, and such, but why should one option rather than another succeed in being adopted, however transiently? Perhaps the higher, better fixed, more established or influential members of the Cloth Workers had something to do with it, with hints, with words dropped now and then, with boulevard posters, with some judiciously distributed free garmenture, here and there, and so on. Doubtless each time a fashion changed at least the high Cloth Workers, masters of the foremost garment houses, would sell more garmenture, at least to the fashion conscious, to those who were concerned to keep up with the times, to those who feared to be pitied or ridiculed for being out of style, and such. - (Conspirators of Gor, Chapter )