Book 28. (1 results) Kur of Gor (Individual Quote)
Chapter #
Sentence #
Quote
21
68
This was presumably an allusion to the use of drums, together with other instruments, we may suppose, in slave dance, a form of dance in which a type of human female, the female slave, helpless and vulnerable, as all female slaves, ornamented, and beautifully if scarcely clothed, dances her beauty, hoping to be found pleasing by masters.
This was presumably an allusion to the use of drums, together with other instruments, we may suppose, in slave dance, a form of dance in which a type of human female, the female slave, helpless and vulnerable, as all female slaves, ornamented, and beautifully if scarcely clothed, dances her beauty, hoping to be found pleasing by masters.
- (Kur of Gor, Chapter 21, Sentence #68)
Book 28. (7 results) Kur of Gor (Context Quote)
Chapter #
Sentence #
Quote
21
65
"Yes," said Cabot, "of war, and the march, sometimes to measure the stroke of oars, occasionally to signal the opening and closing of markets, of gates, and such".
21
66
"There are subtle drums, too, demanding, insistent, maddening, exciting, sensuous drums, of course," said Peisistratus.
21
67
"True," said Cabot.
21
68
This was presumably an allusion to the use of drums, together with other instruments, we may suppose, in slave dance, a form of dance in which a type of human female, the female slave, helpless and vulnerable, as all female slaves, ornamented, and beautifully if scarcely clothed, dances her beauty, hoping to be found pleasing by masters.
21
69
If she is not, she knows she may be whipped, perhaps slain.
21
70
The drums were suddenly silent.
21
71
One could now hear Kurii, moving in the tiers, eager, expectant.
"Yes," said Cabot, "of war, and the march, sometimes to measure the stroke of oars, occasionally to signal the opening and closing of markets, of gates, and such".
"There are subtle drums, too, demanding, insistent, maddening, exciting, sensuous drums, of course," said Peisistratus.
"True," said Cabot.
This was presumably an allusion to the use of drums, together with other instruments, we may suppose, in slave dance, a form of dance in which a type of human female, the female slave, helpless and vulnerable, as all female slaves, ornamented, and beautifully if scarcely clothed, dances her beauty, hoping to be found pleasing by masters.
If she is not, she knows she may be whipped, perhaps slain.
The drums were suddenly silent.
One could now hear Kurii, moving in the tiers, eager, expectant.
- (Kur of Gor, Chapter 21)