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The slave is, you see, to be instantly available to men; her inviting, luscious intimacies, so sweet and warm between her thighs, belong not to her but to the master; she is not a free woman who may wrap and bundle herself, and shield and guard herself; she is a slave and thus she is to be instantly, vulnerably, readily accessible to men; she is no more than an object or toy, no more than a possession, no more than a lovely animal, subject to the least whim and convenience of masters. - (Prize of Gor, Chapter 18, Sentence #475)

Perhaps a word might be added with respect to this matter. It is not an accident, of course. Like other aspects of the garment, its brevity, simplicity and such, it has its meaning, its role and symbolism. The slave is, you see, to be instantly available to men; her inviting, luscious intimacies, so sweet and warm between her thighs, belong not to her but to the master; she is not a free woman who may wrap and bundle herself, and shield and guard herself; she is a slave and thus she is to be instantly, vulnerably, readily accessible to men; she is no more than an object or toy, no more than a possession, no more than a lovely animal, subject to the least whim and convenience of masters. Does not the tunic make such things clear to her? In such a garment she is well aware of her vulnerability; she lives in a state of sexual awareness, and often, whether in despite of her wishes or not, she finds herself in a state of helpless sexual arousal. Men, it seems, respect free women, but seek slaves, they venerate the citizeness, but it is we whom they buy; they esteem the free woman but it is we whom they rope and leash, and lead home. It is little wonder free women hate slaves, and slaves fear free women. - (Prize of Gor, Chapter 18)