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I remembered the two lines, one of young men, the other of girls, jeering and laughing, and crying out at one another in the morning. Then the man with the drum of hollow rence root began to drum, and I heard some others join in with reed flutes, and one fellow had bits of metal, strung on a circular wire, and another a notched stick, played by scraping it with a flat spoon of rence root. It was Telima who began first to pound the woven rence mat that was the surface of the island with her right heel, lifting her hands, arms bent, over her head, her eyes closed. Then the other girls, too, began to join her, and at last even the shiest among them moved pounding, and stamping and turning about the circle. The dances of rence girls are, as far as I know, unique on Gor. There is some savagery in them, but, too, they have sometimes, perhaps paradoxically, stately aspects, stylized aspects, movements reminiscent of casting nets or poling, of weaving rence or hunting gants. But, as I watched, and the young men shouted, the dances became less stylized, and became more universal to woman, whether she be a drunken housewife in a suburb of a city of Earth or a jeweled slave in Port Kar, dances that spoke of them as women who want men, and will have them. - (Raiders of Gor, Chapter )