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Indeed many Gorean artists seem to regard themselves as little more than vessels or instruments, the channels or means, the tools, say, the chisels or brushes, so to speak, by means of which the world, with its values and meanings, in its infinite diversities, in its beauties and powers, its flowers and storms, its laughters and rages, its delicacy and awesomeness, its subtlety and grandeur, expresses itself, and rejoices. - (Magicians of Gor, Chapter 8, Sentence #169)

Many smaller buildings, dwellings, shops, insulae, and such, on the other hand, were relatively new. I might also mention, in passing, if only to make the controversy concerning the "Aurobion marbles" more understandable, that many Gorean artists do not sign or otherwise identify their works. The rationale for this seems to be a conviction that what is important is the art, its power, its beauty, and so on, and not who formed it. Indeed many Gorean artists seem to regard themselves as little more than vessels or instruments, the channels or means, the tools, say, the chisels or brushes, so to speak, by means of which the world, with its values and meanings, in its infinite diversities, in its beauties and powers, its flowers and storms, its laughters and rages, its delicacy and awesomeness, its subtlety and grandeur, expresses itself, and rejoices. Accordingly the Gorean artist tends not so much to be proud of his work as, oddly enough perhaps, to be grateful to it, that it consented to speak through him. As the hunters of the north, the singers of the ice pack and of the long night have it, "No one knows from whence songs come". It is enough, and more than enough, that they come. - (Magicians of Gor, Chapter 8)