Book 24. (1 results) Vagabonds of Gor (Individual Quote)
Chapter #
Sentence #
Quote
47
5
She may then turn and move before him, modeling the new ensemble, assuming poses, being put through slave paces in it, whatever he chooses, as he is master.
She may then turn and move before him, modeling the new ensemble, assuming poses, being put through slave paces in it, whatever he chooses, as he is master.
- (Vagabonds of Gor, Chapter 47, Sentence #5)
Book 24. (7 results) Vagabonds of Gor (Context Quote)
Chapter #
Sentence #
Quote
47
2
In such areas there are usually, at the rear of the sales area, some small, curtained dressing areas.
47
3
These are not provided to protect the modesty of the slave for, strictly, the slave girl is not permitted modesty but rather to permit her to change unseen and then emerge to be beheld, fully changed, all at once, by her master.
47
4
The moving aside of the curtain and the stepping forth of the slave in the new ensemble, then, is primarily for the purpose of achieving this effect, that of presenting herself dramatically before the master.
47
5
She may then turn and move before him, modeling the new ensemble, assuming poses, being put through slave paces in it, whatever he chooses, as he is master.
47
6
He may then send her back into the curtained area again and again, to try out new outfits.
47
7
I would suppose that this business of the sudden presentation of the slave before the master, as he may never have seen her before, and the suspense and revelation, and delight, involved, tends to increase sales.
47
8
The fellow was ahead of me tearing garments from pegs and dragging down ropes of clothes, trampling them underfoot, much to the consternation of the merchant.
In such areas there are usually, at the rear of the sales area, some small, curtained dressing areas.
These are not provided to protect the modesty of the slave for, strictly, the slave girl is not permitted modesty but rather to permit her to change unseen and then emerge to be beheld, fully changed, all at once, by her master.
The moving aside of the curtain and the stepping forth of the slave in the new ensemble, then, is primarily for the purpose of achieving this effect, that of presenting herself dramatically before the master.
She may then turn and move before him, modeling the new ensemble, assuming poses, being put through slave paces in it, whatever he chooses, as he is master.
He may then send her back into the curtained area again and again, to try out new outfits.
I would suppose that this business of the sudden presentation of the slave before the master, as he may never have seen her before, and the suspense and revelation, and delight, involved, tends to increase sales.
The fellow was ahead of me tearing garments from pegs and dragging down ropes of clothes, trampling them underfoot, much to the consternation of the merchant.
- (Vagabonds of Gor, Chapter 47)