Book 5. (1 results) Assassin of Gor (Individual Quote)
Chapter #
Sentence #
Quote
19
65
From the outside it resembles several tiers of disks, surrounded by a circling portico with lofty, fluted columns; the predominant colors are blue and yellow, the traditional colors of the Gorean slaver; around the outside there are large numbers of well-wrought mosaics set in the walls, and on the floor of the circling portico; various scenes, stories and events are depicted, primarily having to do with, as would be expected, the trade of the Slaver and his merchandise; there are hunting scenes, for example, and those of capture, enslavement, training, the sale, the dance, submission, and so on.
From the outside it resembles several tiers of disks, surrounded by a circling portico with lofty, fluted columns; the predominant colors are blue and yellow, the traditional colors of the Gorean slaver; around the outside there are large numbers of well-wrought mosaics set in the walls, and on the floor of the circling portico; various scenes, stories and events are depicted, primarily having to do with, as would be expected, the trade of the Slaver and his merchandise; there are hunting scenes, for example, and those of capture, enslavement, training, the sale, the dance, submission, and so on.
- (Assassin of Gor, Chapter 19, Sentence #65)
Book 5. (7 results) Assassin of Gor (Context Quote)
Chapter #
Sentence #
Quote
19
62
"This way," said Philemon.
19
63
We began to walk down a long, slowly bending passageway.
19
64
I had seen the Curulean from the outside before, but I had never been inside.
19
65
From the outside it resembles several tiers of disks, surrounded by a circling portico with lofty, fluted columns; the predominant colors are blue and yellow, the traditional colors of the Gorean slaver; around the outside there are large numbers of well-wrought mosaics set in the walls, and on the floor of the circling portico; various scenes, stories and events are depicted, primarily having to do with, as would be expected, the trade of the Slaver and his merchandise; there are hunting scenes, for example, and those of capture, enslavement, training, the sale, the dance, submission, and so on.
19
66
One striking set of mosaics details a slave raid from its initial planning phases through the successful return of the Slavers, on tarnback, to Ar with their stunning victims; another picks up this story from the registration and training of prizes to the block of the Curulean itself; another records the theoretical history of certain of these prizes, fortunate enough to be sold to men of Ar, who find eventual rapture in the arms of their masters, of Ar, naturally.
19
67
There is another set of interesting mosaics, each portraying a chained beauty, identified as being of a given city, kneeling before a Warrior, identified as being of Ar.
19
68
The men of Ar, like those of most other Gorean cities, regard themselves as being the best and finest on Gor, and the women of other cities as being worthy of being only the slave girls of such men.
"This way," said Philemon.
We began to walk down a long, slowly bending passageway.
I had seen the Curulean from the outside before, but I had never been inside.
From the outside it resembles several tiers of disks, surrounded by a circling portico with lofty, fluted columns; the predominant colors are blue and yellow, the traditional colors of the Gorean slaver; around the outside there are large numbers of well-wrought mosaics set in the walls, and on the floor of the circling portico; various scenes, stories and events are depicted, primarily having to do with, as would be expected, the trade of the Slaver and his merchandise; there are hunting scenes, for example, and those of capture, enslavement, training, the sale, the dance, submission, and so on.
One striking set of mosaics details a slave raid from its initial planning phases through the successful return of the Slavers, on tarnback, to Ar with their stunning victims; another picks up this story from the registration and training of prizes to the block of the Curulean itself; another records the theoretical history of certain of these prizes, fortunate enough to be sold to men of Ar, who find eventual rapture in the arms of their masters, of Ar, naturally.
There is another set of interesting mosaics, each portraying a chained beauty, identified as being of a given city, kneeling before a Warrior, identified as being of Ar.
The men of Ar, like those of most other Gorean cities, regard themselves as being the best and finest on Gor, and the women of other cities as being worthy of being only the slave girls of such men.
- (Assassin of Gor, Chapter 19)