Book 5. (1 results) Assassin of Gor (Individual Quote)
Chapter #
Sentence #
Quote
15
384
Ho-Tu was fond of the music of the kalika, a six-stringed, plucked instrument, with a hemispheric sound box and long neck.
Ho-Tu was fond of the music of the kalika, a six-stringed, plucked instrument, with a hemispheric sound box and long neck.
- (Assassin of Gor, Chapter 15, Sentence #384)
Book 5. (7 results) Assassin of Gor (Context Quote)
Chapter #
Sentence #
Quote
15
381
Several of the guards and staff had left the tables, retiring.
15
382
Even the girls at the wall had been unchained and returned, after the evening's sport, to their cells.
15
383
Phyllis and Virginia, and Elizabeth, had long since left the hall.
15
384
Ho-Tu was fond of the music of the kalika, a six-stringed, plucked instrument, with a hemispheric sound box and long neck.
15
385
Sura, I knew, played the instrument.
15
386
Elizabeth, Virginia and Phyllis had been shown its rudiments, as well as something about the lyre, but they had not been expected to become proficient, nor were they given the time to become so; if their master, at a later date, after their sale, wished his girls to possess these particular attributes, which are seldom involved in the training of slave girls, he himself could pay for their instruction; the time of the girls, I noted, was rather fully occupied, without spending hours a day on music.
15
387
The slave girl sitting on the furs, for the kalika is played either sitting or standing, bent over her instrument, her hair falling over the neck of it, lost in her music, a gentle, slow melody, rather sad.
Several of the guards and staff had left the tables, retiring.
Even the girls at the wall had been unchained and returned, after the evening's sport, to their cells.
Phyllis and Virginia, and Elizabeth, had long since left the hall.
Ho-Tu was fond of the music of the kalika, a six-stringed, plucked instrument, with a hemispheric sound box and long neck.
Sura, I knew, played the instrument.
Elizabeth, Virginia and Phyllis had been shown its rudiments, as well as something about the lyre, but they had not been expected to become proficient, nor were they given the time to become so; if their master, at a later date, after their sale, wished his girls to possess these particular attributes, which are seldom involved in the training of slave girls, he himself could pay for their instruction; the time of the girls, I noted, was rather fully occupied, without spending hours a day on music.
The slave girl sitting on the furs, for the kalika is played either sitting or standing, bent over her instrument, her hair falling over the neck of it, lost in her music, a gentle, slow melody, rather sad.
- (Assassin of Gor, Chapter 15)