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To be sure, both terms are in a sense reductive misnomers, for in this form of dance, as in other forms of dance, the dancer dances with her entire body and beauty. - (Dancer of Gor, Chapter 11, Sentence #201)

The space for the musicians was to the left, as I had looked out. The form of dance to which I had been drawn on Earth, for whatever reason or reasons, whether because of some sort of feared innate, ungovernable sensuousness, or extreme deep-seated feminine dispositions or needs, or perhaps even, simply, a sense of what was appropriate for me, whether I wished it or not, considering the realities of my ultimate nature, I had preferred to think of as "ethnic dance". I had been secretly thrilled, of course, but had scarcely dared, even to myself, to think of it as "belly dance," or, as the French have it, "danse du ventre," a term popular with some, with some perhaps as a euphemism, and with others as a sensuous way of expressing the matter, one with the same objective meaning as "belly dancing" but which, for them, perhaps, has rich and special connotations. To be sure, both terms are in a sense reductive misnomers, for in this form of dance, as in other forms of dance, the dancer dances with her entire body and beauty. I had never cared too much for the term "exotic dance" as that term seems to me too broad, in that it covers not only "ethnic dance," if, indeed, it really covers that, but many other forms of dance as well, which seem to have little in common other than their capacity to be sexually stimulatory. But then, to a discerning eye, most, or all, dance, and certainly ballet, for example, is sexually stimulatory. Those who fear and hate sex have, I think, understood these things better than many others, for example, low-drive individuals and the sexually inert. - (Dancer of Gor, Chapter 11)