Book 18. (1 results) Blood Brothers of Gor (Individual Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 3 | 290 | In the dance, as I chose to understand it, Winyela danced the glory of life and the natural order; in it she danced her submission to the might of men and the fulfillment of her own femaleness; in it she danced her desire to be owned, to feel passion, to give of herself, unstintingly, to surrender herself, rejoicing, to service and love. |
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Book 18. (7 results) Blood Brothers of Gor (Context Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 3 | 287 | I did not doubt but what the Fleer and the Yellow Knives, and other peoples, too, might have similar ceremonies, in which, in one way or another, a similar profession might take place, there being danced or enacted also by a woman of another group, perhaps even, in those cases, by a maiden of the Kaiila. |
| 3 | 288 | I, myself, saw the symbolism of the dance, and, I think, so, too, did Winyela, in a pattern far deeper than that of an ethnocentric idiosyncrasy. |
| 3 | 289 | I saw the symbolism as being in accord with what is certainly one of the deepest and most pervasive themes of organic nature, that of dominance and submission. |
| 3 | 290 | In the dance, as I chose to understand it, Winyela danced the glory of life and the natural order; in it she danced her submission to the might of men and the fulfillment of her own femaleness; in it she danced her desire to be owned, to feel passion, to give of herself, unstintingly, to surrender herself, rejoicing, to service and love. |
| 3 | 291 | "It is the Kaiila!" shouted the men. |
| 3 | 292 | "It is the Kaiila!" shouted Cuwignaka. |
| 3 | 293 | Winyela was dragged back, toward the bottom of the pole, on its tripods. |
|
I did not doubt but what the Fleer and the Yellow Knives, and other peoples, too, might have similar ceremonies, in which, in one way or another, a similar profession might take place, there being danced or enacted also by a woman of another group, perhaps even, in those cases, by a maiden of the Kaiila.
I, myself, saw the symbolism of the dance, and, I think, so, too, did Winyela, in a pattern far deeper than that of an ethnocentric idiosyncrasy.
I saw the symbolism as being in accord with what is certainly one of the deepest and most pervasive themes of organic nature, that of dominance and submission.
In the dance, as I chose to understand it, Winyela danced the glory of life and the natural order; in it she danced her submission to the might of men and the fulfillment of her own femaleness; in it she danced her desire to be owned, to feel passion, to give of herself, unstintingly, to surrender herself, rejoicing, to service and love.
"It is the Kaiila!" shouted the men.
"It is the Kaiila!" shouted Cuwignaka.
Winyela was dragged back, toward the bottom of the pole, on its tripods.
- (Blood Brothers of Gor, Chapter 3)