Book 16. (1 results) Guardsman of Gor (Individual Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 20 | 1031 | The girl now, in all her helplessness, in all her desperation, in all her sensual splendor, was dancing not aspects or attributes of her beauty before her master, but was dancing her own passions, her own needs and desires, her own piteous, needful, beautiful, intimate and personal self before him. |
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Book 16. (7 results) Guardsman of Gor (Context Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 20 | 1028 | Goreans, as I may have mentioned, are interested in owning the whole woman, in all her sweetness, depth, complexity and individuality. |
| 20 | 1029 | They, and their whips and chains, settle for nothing less. |
| 20 | 1030 | To think of the embonded woman as a slave object is in one sense quite correct, but, in another sense, it is a perversion of, and a failure to understand, the intimate and beautiful relations which can exist between masters and slaves. |
| 20 | 1031 | The girl now, in all her helplessness, in all her desperation, in all her sensual splendor, was dancing not aspects or attributes of her beauty before her master, but was dancing her own passions, her own needs and desires, her own piteous, needful, beautiful, intimate and personal self before him. |
| 20 | 1032 | There were no restraints, no reservations, no compromises, no divisions or distinctions. |
| 20 | 1033 | Her needs were as exposed as her collared body. |
| 20 | 1034 | She danced herself before her master. |
|
Goreans, as I may have mentioned, are interested in owning the whole woman, in all her sweetness, depth, complexity and individuality.
They, and their whips and chains, settle for nothing less.
To think of the embonded woman as a slave object is in one sense quite correct, but, in another sense, it is a perversion of, and a failure to understand, the intimate and beautiful relations which can exist between masters and slaves.
The girl now, in all her helplessness, in all her desperation, in all her sensual splendor, was dancing not aspects or attributes of her beauty before her master, but was dancing her own passions, her own needs and desires, her own piteous, needful, beautiful, intimate and personal self before him.
There were no restraints, no reservations, no compromises, no divisions or distinctions.
Her needs were as exposed as her collared body.
She danced herself before her master.
- (Guardsman of Gor, Chapter 20)