Book 16. (1 results) Guardsman of Gor (Individual Quote)
Chapter #
Sentence #
Quote
20
1019
In these, the final portions of the Sa-eela, the slave, in effect, puts herself at the mercy of the master.
In these, the final portions of the Sa-eela, the slave, in effect, puts herself at the mercy of the master.
- (Guardsman of Gor, Chapter 20, Sentence #1019)
Book 16. (7 results) Guardsman of Gor (Context Quote)
Chapter #
Sentence #
Quote
20
1016
"You now realize, even more clearly than before, what it might mean to be a slave on Gor".
20
1017
She then clutched my arm, even more tightly, and then, she kneeling beside me, small and naked, helpless and vulnerable, her throat locked in the steel of my collar, on the tiles, we watched the dance of the female slave.
20
1018
The music now, pounding and throbbing, mounted headily toward the climax of the Sa-eela.
20
1019
In these, the final portions of the Sa-eela, the slave, in effect, puts herself at the mercy of the master.
20
1020
She has already presented before him, almost in a delectable enumeration, many of the more external and rhythmic aspects of her beauty.
20
1021
She has displayed herself hitherto before him rather as an object in which, hopefully, he might take an interest.
20
1022
A woman may do this, of course, from many motives, such as fear or her desire to be purchased by an affluent master, only one of which might be her authentic, poignant desire to be found pleasing by him, for her own sake.
"You now realize, even more clearly than before, what it might mean to be a slave on Gor".
She then clutched my arm, even more tightly, and then, she kneeling beside me, small and naked, helpless and vulnerable, her throat locked in the steel of my collar, on the tiles, we watched the dance of the female slave.
The music now, pounding and throbbing, mounted headily toward the climax of the Sa-eela.
In these, the final portions of the Sa-eela, the slave, in effect, puts herself at the mercy of the master.
She has already presented before him, almost in a delectable enumeration, many of the more external and rhythmic aspects of her beauty.
She has displayed herself hitherto before him rather as an object in which, hopefully, he might take an interest.
A woman may do this, of course, from many motives, such as fear or her desire to be purchased by an affluent master, only one of which might be her authentic, poignant desire to be found pleasing by him, for her own sake.
- (Guardsman of Gor, Chapter 20)