Book 15. (1 results) Rogue of Gor (Individual Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 23 | 168 | In the whip dance, though there are various versions of it, depending on the locality, the girl is almost never struck with the whip, unless, of course, she does not perform well. |
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Book 15. (7 results) Rogue of Gor (Context Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 23 | 165 | I did see several, however, whom I would have been delighted to own. |
| 23 | 166 | "Wine, Master?" asked a red-headed girl with two leather straps wound about her body. |
| 23 | 167 | I took wine from her, and gave my attention then to the dancer, a luscious, dark-haired girl. |
| 23 | 168 | In the whip dance, though there are various versions of it, depending on the locality, the girl is almost never struck with the whip, unless, of course, she does not perform well. |
| 23 | 169 | When the whip is cracked, however, the girl will commonly react as though she has been struck. |
| 23 | 170 | This, conjoined with the music, and her beauty, and the obvious symbolism of her beauty beneath total male discipline, can be extremely, powerfully erotic. |
| 23 | 171 | In an elegant, civilized context, one of beauty and music, it makes clear and bespeaks the raw and essential primitives of the ancient, genetic, biological sexual relationship of men and women, the theme of dominance and submission, that man is master by blood and woman is slave by birth. |
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I did see several, however, whom I would have been delighted to own.
"Wine, Master?" asked a red-headed girl with two leather straps wound about her body.
I took wine from her, and gave my attention then to the dancer, a luscious, dark-haired girl.
In the whip dance, though there are various versions of it, depending on the locality, the girl is almost never struck with the whip, unless, of course, she does not perform well.
When the whip is cracked, however, the girl will commonly react as though she has been struck.
This, conjoined with the music, and her beauty, and the obvious symbolism of her beauty beneath total male discipline, can be extremely, powerfully erotic.
In an elegant, civilized context, one of beauty and music, it makes clear and bespeaks the raw and essential primitives of the ancient, genetic, biological sexual relationship of men and women, the theme of dominance and submission, that man is master by blood and woman is slave by birth.
- (Rogue of Gor, Chapter 23)