Book 15. (1 results) Rogue of Gor (Individual Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 23 | 44 | In this portion of the dance the girl is seldom on her feet. |
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Book 15. (7 results) Rogue of Gor (Context Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 23 | 41 | This phase of the dance is sometimes known as the Heat of the Collared She-Sleen. |
| 23 | 42 | The fifth, and final phase, of the dance, is far more dramatic and exciting. |
| 23 | 43 | In this phase the girl, overcome by sexual desire and terrified that she may not be found sufficiently pleasing, clearly manifests, and utterly, that she is a slave female. |
| 23 | 44 | In this portion of the dance the girl is seldom on her feet. |
| 23 | 45 | Rather, sitting, rolling, and changing position, on her side, her back, her belly, half kneeling, half sitting, kneeling, crawling, reaching out, bending backwards, lying down, twisting with passion, gesturing to her body, presenting it to masters for their inspection and interest, whimpering, moaning, crying out, brazenly presenting herself as a slave, pleading for her rape, she writhes, a piteous, begging, vulnerable, ready slave, a woman fit for and begging for the touch of a master, a woman begging to become, at the least touch of her master, a totally submitted slave. |
| 23 | 46 | The fourth phase of the dance, as I have mentioned, is sometimes known as the Heat of the Collared She-Sleen. |
| 23 | 47 | This portion of the dance, the fifth portion, is sometimes known as the Heat of the Slave Girl. |
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This phase of the dance is sometimes known as the Heat of the Collared She-Sleen.
The fifth, and final phase, of the dance, is far more dramatic and exciting.
In this phase the girl, overcome by sexual desire and terrified that she may not be found sufficiently pleasing, clearly manifests, and utterly, that she is a slave female.
In this portion of the dance the girl is seldom on her feet.
Rather, sitting, rolling, and changing position, on her side, her back, her belly, half kneeling, half sitting, kneeling, crawling, reaching out, bending backwards, lying down, twisting with passion, gesturing to her body, presenting it to masters for their inspection and interest, whimpering, moaning, crying out, brazenly presenting herself as a slave, pleading for her rape, she writhes, a piteous, begging, vulnerable, ready slave, a woman fit for and begging for the touch of a master, a woman begging to become, at the least touch of her master, a totally submitted slave.
The fourth phase of the dance, as I have mentioned, is sometimes known as the Heat of the Collared She-Sleen.
This portion of the dance, the fifth portion, is sometimes known as the Heat of the Slave Girl.
- (Rogue of Gor, Chapter 23)