Book 15. (1 results) Rogue of Gor (Individual Quote)
Chapter #
Sentence #
Quote
23
28
In the third phase of the dance she, in an almost ladylike fashion, acknowledges herself defeated in her attempt to conceal her sexuality; she then, again in an almost ladylike fashion, delicately but clearly, with restraint but unmistakably, acknowledges, and publicly, before masters, that she has sexual needs.
In the third phase of the dance she, in an almost ladylike fashion, acknowledges herself defeated in her attempt to conceal her sexuality; she then, again in an almost ladylike fashion, delicately but clearly, with restraint but unmistakably, acknowledges, and publicly, before masters, that she has sexual needs.
- (Rogue of Gor, Chapter 23, Sentence #28)
Book 15. (7 results) Rogue of Gor (Context Quote)
Chapter #
Sentence #
Quote
23
25
Here it must be evident that she is beginning to feel her sexuality, and drives, profoundly, and yet is struggling against them.
23
26
Toward the end of this phase it must become clear not only that she has sexual needs, and deep ones, but that she is beginning to fear that she may not be, simply as she is, of sufficient interest to men to obtain their satisfaction.
23
27
Here, need, coupled with anxiety and self-doubt, for she has not yet been seized by strong men, must become clear.
23
28
In the third phase of the dance she, in an almost ladylike fashion, acknowledges herself defeated in her attempt to conceal her sexuality; she then, again in an almost ladylike fashion, delicately but clearly, with restraint but unmistakably, acknowledges, and publicly, before masters, that she has sexual needs.
23
29
Then, with smiles, and gestures, displaying herself, she makes manifest her readiness for the service of men, her willingness, and her receptivity.
23
30
She invites them, so to speak to have her.
23
31
But she has not yet been seized by an arm or an ankle, or by her collar, a thumb hooked rudely under it, or hair, and pulled from the floor.
Here it must be evident that she is beginning to feel her sexuality, and drives, profoundly, and yet is struggling against them.
Toward the end of this phase it must become clear not only that she has sexual needs, and deep ones, but that she is beginning to fear that she may not be, simply as she is, of sufficient interest to men to obtain their satisfaction.
Here, need, coupled with anxiety and self-doubt, for she has not yet been seized by strong men, must become clear.
In the third phase of the dance she, in an almost ladylike fashion, acknowledges herself defeated in her attempt to conceal her sexuality; she then, again in an almost ladylike fashion, delicately but clearly, with restraint but unmistakably, acknowledges, and publicly, before masters, that she has sexual needs.
Then, with smiles, and gestures, displaying herself, she makes manifest her readiness for the service of men, her willingness, and her receptivity.
She invites them, so to speak to have her.
But she has not yet been seized by an arm or an ankle, or by her collar, a thumb hooked rudely under it, or hair, and pulled from the floor.
- (Rogue of Gor, Chapter 23)