Book 3. (7 results) Priest-Kings of Gor (Context Quote)
Chapter #
Sentence #
Quote
10
12
They recognize that we have different sensory arrangements than they do and I suspect that they are as unclear as to the nature of our experience as we are of theirs.
10
13
In fact, though I speak of hearing and smelling, I am not sure that these expressions are altogether meaningful when applied to priest-kings.
10
14
I speak of them smelling and hearing through the sensory appendages, but what the quality of their experience may be I am uncertain.
10
15
For example, does a priest-King have the same qualitative experience that I do when we are confronted by the same scent? I am inclined to doubt it, for their music, which consists of rhapsodies of odors produced by instruments constructed for this purpose, and often played by priest-kings, some of whom I am told are far more skillful than others, is intolerable to my ear, or I should say, nose.
10
16
Communication by odor-signals can in certain circumstances be extremely efficient, though it can be disadvantageous in others.
10
17
For example, an odor can carry, to the sensory appendages of a priest-King, much farther than can the shout or cry of a man to another man.
10
18
Moreover, if not too much time is allowed to elapse, a priest-King may leave a message in his chamber or in a corridor for another priest-King, and the other may arrive later and interpret it.
They recognize that we have different sensory arrangements than they do and I suspect that they are as unclear as to the nature of our experience as we are of theirs.
In fact, though I speak of hearing and smelling, I am not sure that these expressions are altogether meaningful when applied to priest-kings.
I speak of them smelling and hearing through the sensory appendages, but what the quality of their experience may be I am uncertain.
For example, does a priest-King have the same qualitative experience that I do when we are confronted by the same scent? I am inclined to doubt it, for their music, which consists of rhapsodies of odors produced by instruments constructed for this purpose, and often played by priest-kings, some of whom I am told are far more skillful than others, is intolerable to my ear, or I should say, nose.
Communication by odor-signals can in certain circumstances be extremely efficient, though it can be disadvantageous in others.
For example, an odor can carry, to the sensory appendages of a priest-King, much farther than can the shout or cry of a man to another man.
Moreover, if not too much time is allowed to elapse, a priest-King may leave a message in his chamber or in a corridor for another priest-King, and the other may arrive later and interpret it.
- (Priest-Kings of Gor, Chapter )