Book 29. (1 results) Swordsmen of Gor (Individual Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 3 | 369 | The justification for this View more quotes about grasp">grasp is practical and aesthetic, practical in the sense of assuring greater control of the vessel, and aesthetic, having to do with symmetry, and a framing of the slave's beauty. |
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Book 29. (7 results) Swordsmen of Gor (Context Quote)
| Chapter # | Sentence # | Quote |
|---|---|---|
| 3 | 366 | She picked up the goblet. |
| 3 | 367 | "Both hands," I informed her. |
| 3 | 368 | She put both hands on the goblet. |
| 3 | 369 | The justification for this grasp is practical and aesthetic, practical in the sense of assuring greater control of the vessel, and aesthetic, having to do with symmetry, and a framing of the slave's beauty. |
| 3 | 370 | But, too, in this fashion the position of the slave's hands is clear. |
| 3 | 371 | No hand is free, for example, to grasp a dagger, or slip powder into the drink. |
| 3 | 372 | Long ago, in Turia, it is said that a free woman, armed with a dagger, disguised as a slave, attempted to assassinate a Ubar in his cups. |
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She picked up the goblet.
"Both hands," I informed her.
She put both hands on the goblet.
The justification for this grasp is practical and aesthetic, practical in the sense of assuring greater control of the vessel, and aesthetic, having to do with symmetry, and a framing of the slave's beauty.
But, too, in this fashion the position of the slave's hands is clear.
No hand is free, for example, to grasp a dagger, or slip powder into the drink.
Long ago, in Turia, it is said that a free woman, armed with a dagger, disguised as a slave, attempted to assassinate a Ubar in his cups.
- (Swordsmen of Gor)