| Chapter # | Sentence # | Quote |
|---|---|---|
| 3 | 368 | She put View more quotes about both">both hands on the goblet. |
| Chapter # | Sentence # | Quote |
|---|---|---|
| 3 | 365 | By now it was overwhelmingly clear that Constantina's relationship to Pertinax was not that of a slave to her master, even should she be a slave, perhaps in some legal sense. |
| 3 | 366 | She picked up the goblet. |
| 3 | 367 | "Both hands," I informed her. |
| 3 | 368 | She put both hands on the goblet. |
| 3 | 369 | The justification for this grasp is practical and aesthetic, practical in the sense of assuring greater control of the vessel, and aesthetic, having to do with symmetry, and a framing of the slave's beauty. |
| 3 | 370 | But, too, in this fashion the position of the slave's hands is clear. |
| 3 | 371 | No hand is free, for example, to grasp a dagger, or slip powder into the drink. |