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She hears the chains, the snapping shut of the locks, and so on. - (Prize of Gor, Chapter 21, Sentence #25)

This is particularly the case when chains and collars, or wrist rings, or ankle rings, are used. In this way the slave does not see the device until it is upon her, and then, of course, it is too late; she is locked within it. She knows, of course, that this is going to be done. She hears the chains, the snapping shut of the locks, and so on. Indeed, she, standing, or kneeling, presumably knees spread, hands on thighs, or on all fours, waiting, forbidden to turn about, builds up a considerable amount of suspense in the matter, and it comes, usually, as a welcome climax, as a relief, when she finds herself at last added, as she knows she must be, explicitly, securely, helplessly, to the "slaver's necklace". One supposes it is done in this fashion largely for its psychological effect on the slave, it tending to make her feel apprehensive, docile, obedient and helpless. And it does have that effect. - (Prize of Gor)