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The state slaves with the march wore, as noted, a variety of tunics, and their status was marked out simply by the small, rectangular gray patches. - (Prize of Gor, Chapter 20, Sentence #726)

Another theory as to the usual choice of gray for state slaves is that it is a sop cast to the sensibilities of free women, who, resenting the usual effects of female slaves on free men, wished the state to limit or reduce the attractiveness of its slaves. On the other hand, this stratagem, if stratagem it is, is almost universally acknowledged as being inefficacious. A beautiful woman in a slave tunic, whatever its color, is a beautiful woman in a slave tunic. The state slaves with the march wore, as noted, a variety of tunics, and their status was marked out simply by the small, rectangular gray patches. Ellen doubted that there were many free women with the march, who might object to this latitude accorded the state's collar girls, saving perhaps those who might be behind the drawn curtains in the cage wagons. Ellen did not care to be kneeling before a woman, though, of course, often enough, she would kneel before a free woman. But this was a slave. - (Prize of Gor)