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The dancing of a slave is a thousand times more sensuous than that of a free woman because of the incredible meanings involved, the additional richness which this furnishes, the explosive significance of this comprehension, that she who dances is owned, and, theoretically, could be owned by you. - (Dancer of Gor, Chapter 11, Sentence #905)

Had it been merely a matter of face and figure I do not think the effect would have been the same. Many things were doubtless involved. One, of course, was that it was a slave who danced. The dancing of a slave is a thousand times more sensuous than that of a free woman because of the incredible meanings involved, the additional richness which this furnishes, the explosive significance of this comprehension, that she who dances is owned, and, theoretically, could be owned by you. Too, she is naked, or scantily clad, and is bedecked in a barbaric manner. This speaks of reality and savagery, of ferocity, and beauty and barbarism, and of the fundamental meaningfulness of the male/female relationship, that of power and ferocity to beauty, of dominator to dominated, of master to slave. The dancing of the female before the male, that she be found pleasing and he be pleased, is one of the most profound lessons in all of human biology. - (Dancer of Gor)