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The woman turned about, and, lifting her whip, signaled to the musicians at the right side of the room. - (Mercenaries of Gor, Chapter 25, Sentence #347)

This doubtless has something to do with the naturalness of the institution, for it is a civilized enhancement of a fundamental biological complementarity, and the tendency of the slave, categorically dominated and uncompromisingly possessed, as she longs to be, to fall in love with the master, and the tendency of the master, however reluctantly, and regretting the terrible shame involved, to begin to care for, and love, a mere slave. It is interesting how it is that a girl in a collar can so hold the heart of a man. I wonder if this is hard for a free woman to understand. The woman turned about, and, lifting her whip, signaled to the musicians at the right side of the room. They began to play. She then cracked the whip again and the slaves sprang to their feet and began to dance before me, as only slaves can dance before men. "How meaningless they are," laughed the free woman. - (Mercenaries of Gor)