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A woman who has been in a collar and helplessly in the hands of men does this sort of thing rather differently, of course, than would a virgin or an inert free woman. - (Players of Gor, Chapter 16, Sentence #412)

You, now, Bana". At his words, of course, Lady Telitsia and Bina, too, wiggled, and, in Lecchio's grip, having little choice, wiggled well. The girls were not dancers, of course, but they were slaves. A woman who has been in a collar and helplessly in the hands of men does this sort of thing rather differently, of course, than would a virgin or an inert free woman. They cannot help it. Still, in the comedic situation, given their characterizations, they strove, successfully, I think, to give the impression of free women being forced to move in this fashion and yet, at the same time, marvelously, managed to be sexually attractive. The movements, of course, were not, nor were they intended to be, those of an actually displayed slave in such a predicament, say, in a market or capture camp, being commanded, say, to "move" before men, the adagio movements, the sudden movements, the melodious movements, the incredibly sensuous movements, generating a slow, almost glowing sexual heat, in which a girl indicates her charms, and displays them hopefully, perhaps even desperately, to men, in an earnest attempt to please, perhaps, even, to win her life. - (Players of Gor)