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The chorus, too, sometimes singing and sometimes speaking in unison, took roles in the drama, such as first the citizens of one city and then of another, and then of another, and so on. - (Kajira of Gor, Chapter 6, Sentence #96)

These characters, thus, were made to appear larger than life. They represented, generally, important personages, such as Ubars and Ubaras. There had not been a great deal of action in the drama but movement on the stage was supplied in abundance by a chorus whose complex activities and dances served to point up and emotionally respond to, and interpret, exchanges among the principals. The chorus, too, sometimes singing and sometimes speaking in unison, took roles in the drama, such as first the citizens of one city and then of another, and then of another, and so on. It also was not above commenting on the activities and speeches of the principals, chiding them, calling certain omissions to their minds, offering them constructive criticism, commending them, encouraging them, and so on. Indeed, it was not unusual for the chorus and a principal to engage with one another in discourse. What I saw was clearly drama but it was not a form of drama with which I was familiar. - (Kajira of Gor)