| Chapter # | Sentence # | Quote |
|---|---|---|
| 12 | 211 | The View more quotes about fire">fire, I was pleased to note, was not of bosk dung but wood, timber and planking, I was less pleased to note, torn and splintered from a merchant's wagon. |
| Chapter # | Sentence # | Quote |
|---|---|---|
| 12 | 208 | I saw among them even some Kassars and Paravaci, and one of the rare Kataii, seldom seen in the encampments of the other peoples. |
| 12 | 209 | The Tuchuks, of course, were most in evidence, sitting cross-legged in circles rather about a large fire near the center of the enclosure. |
| 12 | 210 | They were in good humor and were laughing and moving their hands about as they regaled one another with accounts of their recent deeds, of which there were plainly a great many, it being the most active season for caravan raiding. |
| 12 | 211 | The fire, I was pleased to note, was not of bosk dung but wood, timber and planking, I was less pleased to note, torn and splintered from a merchant's wagon. |
| 12 | 212 | To one side, across a clearing from the fire, a bit in the background, was a group of nine musicians. |
| 12 | 213 | They were not as yet playing, though one of them was absently tapping a rhythm on a small hand drum, the kaska; two others, with stringed instruments, were tuning them, putting their ears to the instruments. |
| 12 | 214 | One of the instruments was an eight-stringed czehar, rather like a large flat oblong box; it is held across the lap when sitting cross-legged and is played with a horn pick; the other was the kalika, a six-stringed instrument; it, like the czehar, is flat-bridged and its strings are adjusted by means of small wooden cranks; on the other hand, it less resembles a low, flat box and suggests affinities to the banjo or guitar, though the sound box is hemispheric and the neck rather long; it, too, of course, like the czehar, is plucked; I have never seen a bowed instrument on Gor; also, I might mention, I have never on Gor seen any written music; I do not know if a notation exists; melodies are passed on from father to son, from master to apprentice. |