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No girl is regarded as having passed this test who has not, in her performances, made it clear to all, save perhaps herself, that it is truly a slave who lies at the paws of the kaiila. - (Savages of Gor, Chapter 17, Sentence #346)

In performing such intimate acts, and on the mere beast of the master, the humbled suppliant, the captured girl, acknowledges to both herself and others, nonrepudiably and publicly, that she is proposing herself as a serious candidate for bondage, that she is begging to be enslaved. Too, of course, such performances give the master an opportunity to observe the touch, the sensitivity, the techniques and skill of the girl. If she cannot even function at the paws of a kaiila what should one expect in one's own furs? If she cannot even do well with an animal, what reason is there to expect that she could do better with a man? The most significant aspect of this test, of course, is that it gives masters a means for determining not only whether or not the girl is truly begging to be enslaved but, more importantly, whether or not she is, truly, a slave. No girl is regarded as having passed this test who has not, in her performances, made it clear to all, save perhaps herself, that it is truly a slave who lies at the paws of the kaiila. This revelation becomes manifest through subtle behavioral cues, usually physical, but sometimes verbal, as well. I regarded the woman kneeling before me. That her brains had not been dashed out by the club of the savage indicated to me not only that she had, intimately and lengthily, in her performances, petitioned to be enslaved, but that she had, in these same performances, proved herself a slave. - (Savages of Gor)