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She must, for example, address free persons deferentially and, commonly, will kneel in their presence. - (Rogue of Gor, Chapter 21, Sentence #292)

Frightened, she often begins by acting, and this is known to the master, but soon, perhaps to her horror, she discovers that she, obedient to the master's touch, and no longer acting, and this, too, is known to the master, has become, truly, suddenly, a yielding, spasmodic slave. Too, of course, her slavery and her sexuality is impressed upon her in a thousand, subtle ways. Certain modes of speech are expected of her and certain gestures and postures. She must, for example, address free persons deferentially and, commonly, will kneel in their presence. Her garb, too, is commonly distinctive; it is usually inexpensive and brief; sometimes it is only a rag; it is designed to remind her of lowliness; it is designed, too, of course, generally, to leave little doubt as to her charms. Needless to say, too, her throat is encircled by a collar, which will identify her master; sometimes, too, the collar will bear the name by which he has decided to call her; and her thigh, or some other part of her body, will be branded. She is an animal, sensuous and beautiful, marked as property, and has a name only on the sufferance of her master; he need not even give her a name, if he does not wish to do so. - (Rogue of Gor)