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Then, as we crouched in the darkness of the far side of the chamber, the doors opposite us swung open and we observed two long lines of strange men, marching abreast, each of whom carried a Mul-Torch in one hand and in the other by a handle what resembled a deflated wineskin of golden leather. - (Priest-Kings of Gor, Chapter 21, Sentence #43)

On the surface it is spoken by none but members of the Caste of Initiates, who use it primarily in their numerous and complex rituals. As nearly as I could make it out the song, though sad, was a paean of some sort to Priest-Kings, and mentioned the Feast of Tola and Gur. The refrain, almost constantly repeated, was something to the effect that We Have Come for Gur, On the Feast of Tola We Have Come for Gur, We Rejoice For on the Feast of Tola We Have Come for Gur. Then, as we crouched in the darkness of the far side of the chamber, the doors opposite us swung open and we observed two long lines of strange men, marching abreast, each of whom carried a Mul-Torch in one hand and in the other by a handle what resembled a deflated wineskin of golden leather. I heard Mul-Al-Ka draw in his breath quickly beside me. "Look, Tarl Cabot," whispered Mul-Ba-Ta. "Yes," I said, cautioning him to silence, "I see". - (Priest-Kings of Gor)